kimwells[at]womenwriters[dot]net

Teaching Portfolio


Literature Courses: American Lit, PostColonial Lit, Women's Studies, Media Studies and Creative Writing

Syllabi
These are all "dream courses." However, I have taught only the survey of American Lit course; the rest are proposed.

  • Survey of American Literature: Call & Response of the American Canon: Major authors from Colonial to Contemporary period. Sophomore seminar. Can be adapted for upper division courses. Approaches canonical & "minor" texts and the idea that all literature has a "call" and "response" format, adapting this African American literary trope for broader conversations about what makes a canon. Taught at LSUS in Fall 2007.
  • Studies in American Literature II:  The African-American Novel: a course from the 19th-Century to the contemporary era featuring novels written by African-American writers. For graduate or upper division students.
  • Periods in American Literature:  Women Naturalists & the 20th Century Novel: why is it that women writers are rarely mentioned as using Literary Naturalism? Is Naturalism a "dead" genre, or is it possibly a branch of realism specifically suited to addressing the consequences of women's unequal lives? This is a 16 week course of 8 women novelists of the 20th-Century who use either explicit Naturalism or Naturalistic elements in their writing. It does begin with a few Nineteenth-Century texts, but we will argue that those writers were a bit ahead of their time.
  • Women & Science Fiction: Tiptree Authors: Special Topics, upper division or graduate course featuring women authors who have won or been "listed" for the James Tiptree award.
  • Women's Coming of Age novels: A graduate or senior level seminar on the contemporary women's bildungsroman in English.
  • Major American Authors: Zora Neale Hurston: "Genius of the South." A graduate level seminar on one major author whose influence is felt in many places. Hurston was a folklorist, novelist, memoirist and character of the Harlem Renaissance.
  • Studies in the 20th Century/Major American Poet:  E.E. Cummings: A graduate level seminar on the poetry and memoir of Cummings. Analyzes form, themes, and influence of Cummings' unconventional style on contemporary poetry.
  • PostColonial Literature in English:  Contemporary Literature of Africa, India, and the Caribbean. Major world authors.
  • Intro to Contemporary American Poetry: Major American Poets from Walt Whitman to the 21st century.
  • 20th Century Literature in English: World War 1 to Cyberpunk and the Future: This class is intended as an introduction both to English-language literature of the 20th century, and also to the criticism of 20th-century lit—that is, to the ways that scholars have thought and talked about literary and cultural movements of the past hundred years. Features major American & British writers.
  • The Post Feminist(?) Era:  Issues in Contemporary Women’s Writing: This course uses a Third Wave feminist rhetoric deeply grounded in Second Wave Feminism and Theory.  We read nonfiction, fiction, poetry, memoir/diary/letters and personal interviews.  We will begin with a grounding in traditional women’s theory on gender as “made” not “born”. 
  • From Reaganomics to Nirvana: Media studies/Reading Film as Literature; a genre-based look at the movies of the 1980s as a way of understanding the way the era’s youth, who would come to be known as Generation X, defined their identities amidst the turbulent political climate of the 1980s.
  • Images of Masculinity in Contemporary Cinema. Media Studies/Reading Film as Literature. Like femininity, masculinity operates politically at different levels. At one level, it is a form of identity, a means of self-understanding that structures personal attitudes and behaviors. At another, distinct but related level, masculinity can be seen as a form of ideology, in that it presents a set of cultural ideals that define appropriate roles, values and expectations for and of men.
  • Creative Writing: A course in creative writing. Workshop oriented, it features the "shapes" and "patterns" of the short story as a mold. Includes a class creative "blog". Could be adapted from introductory level to graduate.

Power Point Presentations
These are several of my best Power Point presentations, which I use as both lecture and study tool. Students can download the presentations as study guides. They include major thematic points, biography of the author, and, occasionally, close-reading strategies for the text. Entire canon of Power Points available on request.

  • Walt Whitman: Features a look at the way Whitman developed his persona as "The American Bard."
  • Henry David Thoreau: Specifically designed to feature the way the concept of Civil Disobedience has developed.
  • Emily Dickinson & Sarah Orne Jewett: Features the two authors' biography and themes for reading. Especially focuses on teaching close-reading.
  • Kate Chopin: Brush With Magic Realism in "An Egyptian Cigarette". Reads the 1897 Vogue story as a text that experiments with a new form. Part of a paper presentation. The full paper is here.
  • Robert Frost: One of my favorite presentations, develops the concept of the wall as "Isolation" vs. "Protection." Includes readings of Pink Floyd & the Beatles.
  • E.E. Cummings: HiM. A reading of predominant biographical themes in the work of the poet.
  • Sandra Cisneros: Especially focuses on how an understanding of La Llorona & La Gritona enhances "Woman Hollering Creek."
  • Anne Sexton, "Her Kind" and Self Image: Discusses suicidal self-image for the poet Anne Sexton. Can also be used for women's studies, Modernism or Post Modernism, and/or confessional poetry. Used in Comp II class, Fall 2007; Spring 2008.
  • William Butler Yeats & The Tarot: A reading of Yeats' use of Tarot symbolism in his poetry. Argues that an understanding of Tarot meanings is crucial to a true understanding of Yeats' work, and not a mere trivia piece. Includes graphics of the Rider-Waite Tarot deck, the main deck of the Society of the Golden Dawn, to which Yeats was an initiate.
  • Zora Neale Hurston: Emphasizes criticisms of Hurston leveled at her by some of the other Harlem Renaissance (male) writers, her work in folklore, and her rediscovery by Alice Walker.
  • Flannery O'Connor: Special emphasis on the South as setting and the religious gothic in her short stories.
  • Maxine Hong Kingston: Emphasis on "No Name Woman"-- critical themes, close-reading, and memoir as fiction.
  • Gary Snyder: Structure & Nature in his poetry. Snyder as the Beat "Thoreau".
  • Feminists for the NRA: Sci Fi Chicks with Guns: A presentation given at a conference in 2002. Reads the movies Tank Girl, Cherry 2000, and Night of the Comet from a Third Wave Feminist perspective. The paper.


Intro to Composition
Skills that this course focused on included: recognizing formal arguments and how one uses rhetoric to convince an audience; formulating a thesis (central idea/argument); developing one's thesis in an orderly way; forming clear and effective paragraphs and sentences; using an appropriate collegiate vocabulary; applying the grammatical and mechanical conventions of standard written English; applying critical reading skills to one's own writing and to the writing of others; revising and reviewing arguments and writing; applying students' new skills in interpreting and recognizing argument to the world around them.

Power Point Presentations

Sample Handouts/Assignments/Lesson Plans

  • A Rose For Emily: William Faulkner: A Lesson plan where students in a Lit class read William Faulkner's short story and then hold a mock "trial" for Emily, based on the faux newspaper article I print out for them. They have to split into "defense," "prosecution" and "witnesses." This lesson plan gets students very involved, they really enjoy it, and teaches them to close read the story very carefully so they can "win" the case. Requires Adobe PDF.
  • You, The Expert: A formal essay assignment wherein students wrote a "how to" paper using their expertise.
  • Cultural Practices Research: students are given an essay wherein they must do research on a cultural practice from a culture other than their own. This is a sample handout that demonstrates the kind of handout they are expected to create as part of their visual aids for their formal presentation at the end of the semester.
  • Proposal Sample: This handout would be paired with the above sample. This is a sample given to students of a research proposal, including an annotated bibliography. This sample research project is presented as one that a fellow student might have made in the past, and they are given an idea of expectations for their research project-- appearance, content, and tone.
  • Logical Fallacies: Students are expected to be familiar with logical fallacies and how to avoid using them in their own arguments. This handout is a two-day lesson plan wherein we discuss the fallacies and they have to find examples of them in publications they are given.
  • How to Begin an Essay: Students are given this handout as a lesson plan wherein we discuss good strategies for opening a formal essay.
  • Paraphrasing, Summarizing & Quoting: Students are given this handout during the formal research paper project. They are encouraged to use research, but guided as to how to use it ethically and correctly.

Samples of Student Work

  • Japanese Fashion: A Powerpoint presentation created for the oral presentation part of the above assignment on cultural practices. Fall 2007.
  • Joyce Carol Oates' "Shopping": An Powerpoint presentation created for an oral presentation in my ENG 115 course. The student argued that this theme within the short story "Shopping" is important to understanding Oates' work as a whole. Fall 2007.
  • White Elephants in Hemingway: A Powerpoint presentation created for the oral presentation in my ENG 115 course. Students are expected to illustrate a theme that appears within an author's work by studying the author's overall body of work, plus biography. Fall 2007.


Technical Writing
This course was a three-credit course that fulfills Texas State University's Technical Writing Requirement. It was designed to help students develop an effective method of planning and completing writing tasks to meet professional writing demands. In the professional world, most (if not all) technical professionals write on a daily basis. Because succeeding in the professional world requires not only technical knowledge but also effective writing skills, we focused on the writing skills necessary for advanced academic and professional writing, tailored specifically to academic and career work as professionals in a technical field. The most important concept was that successful technical communicators know how to organize and present complex information so that the ideas are understandable to many readers, viewers, and listeners.

  • Syllabus
  • Handout on Graphics:This handout was designed as an in-class assignment to familiarize students with Adobe Photoshop.
  • Handout on Memos: Designed as the first formal assignment in the course.
  • Student Work: A sample of a presentation created by one of the students. This was to show the class the basics of their final project, a "how-to" manual. This presentation shows that although the students have a lot of fun with the project (they are allowed to choose any subject they are an "expert" on) they also use strong technical skills and create interesting and well-thought out projects.
  • Student Work: A manual on personal computer installation. Requires Microsoft Publisher.
  • Student Work: Another manual on goat-farming. The presentation shows how diverse the students' expertise is, and how, when one gives them an assignment on that expertise, how well they can apply their new technical skills.


My Grading Rubric
I find that students who are challenged with the idea that essay-writing is not always quantitative (science & math types) can really grasp the writing process when they are given this rubric before, during, and after their various essay projects. This rubric tells them what my expectations for each project will be, and as part of the grading process, I give them a copy for each essay with circled values for how they did on each section. The rubric is modified for each individual class' goals.

My Dissertation Abstract
This is the official abstract for my dissertation.

Vitae
This online version has links to available online versions of papers.

Poetry & Fiction
I am also a creative writer. Here is a small collection of my current poetry from my Women Writers site. I also have some fiction published online.
I would very much like to teach creative writing to undergraduates, as well.

updated May 2008